观看塔可夫斯基的电影，如同探访一座雾中的迷宫，那里潮湿，苔藓蔓生，雨滴与火焰交错，水草在河流中摇摆，他用影像引领观看者寻访意识深处的幽深山谷，潜入关于信仰、记忆和时间的暗流。阅读《殉道学》，则是手握一把钥匙，解锁迷宫背后真实、脆弱却又无比坚定的灵魂。阅读这本日记，从来不是朝着过去的回望，而是指向未来的观看，让我们在一切加速更迭的时代，看见他如何拾起自我的碎片，在其中照见世界的完整、残酷、凄凉和温柔。
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完美日记的哑火，不是一个品牌的偶然失利，而是一代新消费网红品牌的宿命缩影。
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Stewart Brand thinks big and long. He thinks on a planetary scale – as suggested by the title of his celebrated Whole Earth Catalog – and on the longest of timeframes, as with his Long Now Foundation, which looks forward to the next 10,000 years of human civilisation. He has had a lifelong fascination with the future, and anything that could get us there faster, from space travel to psychedelic drugs to computing. In fact, he was arguably the bridge between the San Francisco counterculture of the 60s and present-day Silicon Valley: in his commencement speech at Stanford University in 2005, Steve Jobs eulogised the Whole Earth Catalog and Brand’s philosophy, and echoed its farewell mantra: “Stay hungry. Stay foolish.”